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74 / Jaguar Magazine
74 / Jaguar Magazine Snaking through the city centre, the car’s rich colour pitted against the pale, washed-out stone façades reminded me of a motif from Nicolas Roeg’s cult 1970s thriller Don’t Look Now, in which Donald Sutherland repeatedly sees a red-coated child among the labyrinthine streets of Venice. The XE tucks into Arles’ narrow bends, skirting pedestrians and ducking out of sight just as the film’s little girl does so deftly.
Arts Frank Gehry’s Luma Arles is set to open in summer 2020. At 56 metres, it will be one of the city’s tallest structures and serve as an arts centre supporting exhibitions, research and education. The twisting, aluminiumclad tower is an incongruous, if aggressive, feature on the city’s skyline but at dusk the warped panes reflect the warm lavender and rosy hues from the setting sun, and offer a metallic sheen to the sky’s azure blue. It’s a departure from the low-rise structures below, but the statement is clear – Arles is not to be underestimated, its creative spirit is alive and well. P.69 & 75: THE ARTS RESOURCE BUILDING DESIGNED BY FRANK GEHRY. LUMA ARLES, PARC DES ATELIERS, ARLES (FRANCE) Jaguar Magazine / 75
Jaguar Magazine celebrates creativity in all its forms, with exclusive features that inspire sensory excitement, from beautiful design to cutting-edge technology.
In this issue, we explore the art of creativity from the Brazilian masters who devised the graceful art of Capoeira, to the Irish artists mixing new culture with old. You will also discover the creative line that links Victorian wallpaper to the iPhone. While the multi-talented actor and performer, Riz Ahmed, explains why it is the right time to reveal his true self to the world.
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