PEOPLE What makes good art? The answer is mainly in the eye of the beholder but if the ranking were to be decided by my little daughter, Olafur Eliasson would definitely be in the top ten. At the tender age of four she was deeply impressed by the visuals and special effects of his exhibition at Gropiusbau in Berlin. The art of Eliasson fits well with kids: standing in front of his distorting mirrors or playing in his rooms full of fog and shadows, gives the viewer a feeling of walking through a fairytale. It’s hard not to be moved (or impressed). Eliasson’s work is now well-established across the world’s most famous museums, but it is still based on a childlike curiosity with a strong exploratory urge. The blurring of room and art, inside and outside, fact and fiction are all themes at the core of his art. Like when he pumped an art museum with yellow-coloured fog or put toxic-looking green colouring into a Stockholm river. In the botanical gardens of the German city of Gütersloh he created a tunnel packed with intense smelling plants – a kind of positive scent attack – while in Utrecht in Holland Eliasson appeared to ‘change’ the location in which the sun went down by using a four-metre wide disk and special lighting effects. Back in Munich he created a monumental sculpture called Paraphrase in front of the headquarters of a leading consulting company, which showed two long flights of stairs, hugging and crossing each other. Eliasson’s 2008 project in New York City was hard to top – the installation of four artificial and spectacular waterfalls – which for 110 days, every day from seven o’clock in the morning until 10pm gushed 13 billions litres of water into the East River. Standing in front of this artwork, you got the strong impression of a crazy world which had changed its way of running. Most of Eliasson’s work has a similar effect – nothing is quite as it seems. But his big kaleidoscope of colour and light can equally be appreciated without thinking any deeper (thus the appeal to very young kids too). Indeed, it’s a sentiment that would seem to chime with the Dane himself. Talking about his recent 368-page vegetarian cookbook enriched with images of his artwork, he says that he appreciates “cooking as creating reality, not mystifying things”. Five years on, I’m sure my nine-year old daughter would agree. OLAFUR ELIASSON Nationality: Danish-Icelandic Age: 48 Job: Artist Bonus fact: Eliasson’s studio space in Berlin, Germany, is a converted old brewery which he calls The laboratory of arts BRIDGE OVER TROUBLED WATER (top) One of Eliasson’s most famous installations is his artificial waterfall under the Brooklyn Bridge, one of four installations built in New York City for 110 days in 2008 and involving more than 13 billion litres of water SOMEWHERE OVER THE RAINBOW (above) The giant 2011 installation Your rainbow panorama is a 150-metre elevated walkway above the roof of the Aros Museum in Aarhus, Denmark, made up of 116 discs which glow in 42 different colours to give visitors the feeling of walking over, or rather through, a rainbow 60 j THE DYNAMIC ISSUE
LIGHT OVER LONDON In 2003, for Tate Modern in London, Eliasson created The weather project, an artificial sun with powerful fluorescent tubes fixed at the end of the 35-metre high Turbine Hall. The space was made to appear even bigger with the use of a mirrored ceiling CROCODILE IN THE PARK? Looking like a giant crocodile awaiting its lunch, this 2007 temporary space was co-designed by Kjetil Thorsen and built in front of London’s Serpentine Gallery. The big ‘teeth’ formed a curtain behind which visitors sat, relaxed and maybe even ate their own dinner
THE JAGUAR magazine celebrates the art of performance with exclusive features that inspire sensory excitement, from dynamic driving to seductive design and cutting-edge technology.
Led by an exclusive and insightful interview with unconventional actor and Jaguar campaign star Eva Green, this issue is full of Jaguar spirit. See the Jaguar XE 300 SPORT and XE SV Project 8 unleashed on the volcanic slopes of Sicily, go behind the scenes of setting two world records, look ahead to the Jaguar I-PACE eTROPHY Championship season debut, learn the secrets of thrill-making from three renowned proponents of the art, and much more.
Discover a different side to Eva Green
| Will your next taxi be a self-driven Jaguar I-PACE?
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| The petrolheads racing in Jaguar’s new all-electric race series
| Up close with the latest special edition of the XE and XF: the 300 SPORT
A charged-up drive of the New All-Electric Jaguar I-PACE in Portugal’s Algarve
| The inside line on the creation of the revolutionary I-PACE
| Reinventing a classic: meet the E-type Concept Zero
| Fifty years of the iconic XJ saloon
| Exclusive interview with tennis star Johanna Konta
| Can supercomputers revolutionise art?
The latest issue introduces our new ‘cub’, the E-PACE compact practical sports car, which is already turning heads on the street. As we commit to electrifying every new Jaguar from 2020, we explore how pushing boundaries on track helps develop our sports cars, from writing motorsport history at Le Mans, to taking on the Nürburgring with the extreme XE SV Project 8 and being at the very cutting edge with the FIA Formula E Championship.
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In this issue we return to top level motorsport but not in a conventional way, and by doing so accelerate the development of electric powertrains. In tandem, we introduce our Jaguar I-PACE Concept vehicle - a revolutionary new model available to reserve now for delivery in 2018.
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